Monday, February 23, 2009

Motherwell's "Elegy to the Spanish Republic" at Phila Museum of Art



If you go to art museums, you surely know this is one of Robert Motherwell's over 200 versions of Elegy to the Spanish Republic. This one was painted in 1958-60 and is on display at the Philadelphia Museum of Art. I saw this one again recently, and I have seen many similar versions in many other museums.


You can view some of my 3-D paintings on my website at www.jayrolfe.com/.


Saturday, February 21, 2009

"Black Fire I" by Barnett Newman at the Philadelphia Museum of Art



All right, this blog is called "Contemporary Art Revealed," and I have posted about Impressionist, post-Impressionist, and Modern paintings over the past 10 days. So here's something from 1961, Black Fire I by Barnett Newman. Newman was known for his vertical stripes he called "zips" and for his large vertical blocks of color (often black). This painting is usually on view at the Philadelphia Museum of Art where I saw it again a week ago.


You can view some of my 3-D paintings on my website at www.jayrolfe.com/.


The wall label at PMA describes the painting as follows: "Black Fire I conveys a dark grandeur through simple means: the tensions between edge and field, opacity and transparency, order and spontaneity, black pigment and raw textured canvas." Wow. Sometimes a picture IS worth a thousand words.


Friday, February 20, 2009

Mary Cassat at Philadelphia Museum of Art



On my visit a week ago to the Philadelphia Museum of Art, I again saw one of my favorite Impressionist paintings owned by the Museum. It has been off display for a while, and now it is back. The painting is Mary Cassatt's portrait of her sister Lydia at the Paris Opera House in front of a mirror which reflects the interior of the Opera House. It was painted in 1879 and is titled Woman With A Pearl Necklace in a Loge. It is bright, lively, and when you see it in person it's like you are there enjoying the opera scene with her.

Mary Cassatt was born in the Philadelphia area, and moved to Paris after art school at the Pennsylvania Academy of the Fine Arts in order to further her art career.

You can see some of my 3-D paintings on my website at www.jayrolfe.com/.


Thursday, February 19, 2009

Matisse "The Moorish Screen"



Henri Matisse painted The Moorish Screen in 1921. It shows his daughter Marguerite and his then-favorite model Henriette Darricarre in an interior of incredibly rich carpets and wall coverings and the titular Moorish screen. Although I have seen this on display at the Philadelphia Museum of Art, it is now on display in the Museum's Perelman Building as part of the exhibit "Henri Matisse and Modern Art on the French Riviera."


You can view some of my 3-D paintings on my website at www.jayrolfe.com/.


Wednesday, February 18, 2009

Matisse "Still Life on a Table" at Perelman Bldg of Phila Museum of Art



The second of the two Henri Matisse still life paintings I referred to yesterday is Still Life on a Table painted in 1925, the year after the painting featured yesterday. This painting, not usually on view at the Philadelphia Museum of Art, is currently on view at the Perelman Building of the Philadelphia Museum of Art as part of the exhibit "Henri Matisse and Modern Art on the French Riviera." You can see many similarities between this painting and the one featured yesterday.


You can view some of my 3-D paintings on my website at www.jayrolfe.com/.


Tuesday, February 17, 2009

Matisse "Still Life" at Perelman Bldg Phila Museum of Art



Two Henri Matisse still life paintings that are not usually on display are now on display at the Perelman Building of the Philadelphia Museum of Art. This one was painted in 1924 and is titled Still Life. You can see Matisse really loved his textiles.


You can see some of my 3-D paintings on my website at www.jayrolfe.com/.


Monday, February 16, 2009

Matisse "Head of a Woman"



Matisse used models extensively and frequently painted figures. This Henri Matisse painting from 1917, Head of a Woman, is somewhat unusual in that it includes only the head. This is one of the Matisse paintings owned by but not usually not on view at the Philadelphia Museum of Art and now on view in the Perelman Building exhibit "Henri Matisse and Modern Art on the French Riviera."


You can view some of my 3-D paintings at www.jayrolfe.com/.


Sunday, February 15, 2009

More Matisse on the Riviera


On Friday I was at the Perelman Building of the Philadelphia Museum of Art to see the exhibit "Henri Matisse and Modern Art on the French Riviera." Although almost all the works on display are from the Museum's collection, there are many I haven't seen before even though I visit the Museum frequently. As you can imagine, museums own many more items than they can display at any one time.

Henri Matisse often painted interiors, especially liking ones that had a view out a window. This painting in the exhibit, done in 1917-18, titled My Room at the Beau Rivage (Interior at Nice), is perhaps typical in that it has a room full of colorful textiles and an ocean view out the window.

You can view some of my 3-D paintings at www.jayrolfe.com/.

Saturday, February 14, 2009

Matisse "Two Models Resting" at Perelman Bldg Phila Museum of Art


Yesterday I went to the Philadelphia Museum of Art and, for the first time, across the street to the Museum's exhibition space in the Perelman Building (separate admission). One of the exhibits at the Perelman Building was "Henri Matisse and Modern Art on the French Riviera," which is on display from December 13, 2008 to November 1, 2009. Almost all the works on display are from the Museum's collection, but many I haven't seen before in the period rooms in the main building. As you can imagine, museums own many more items than they can display at any one time. So it was very worthwhile for me to visit.

I generally like Matisse's work, and I've seen a lot of it. I've seen the many works exhibited at the Baltimore Museum of Art which are part of their 500+ work collection of Matisse several times, and I've seen the 59 Matisse works at the Barnes Foundation many times. I've seen Matisse at the Phillips, LACMA, MoMA, the Met, Art Institute of Chicago, etc., etc. And it was nice to see some new-to-me paintings.

By the way, you can see some of my paintings on my website at www.jayrolfe.com/. You can also access this blog through the website.

Today I'm featuring Henri Matisse's colorful Two Models Resting from 1928. I'm sorry it's slightly out of focus. That's even more reason for you to get over there yourself and see the original.

Thursday, February 12, 2009

Cezanne at the Kimbell Art Museum


The Kimbell Art Museum in Fort Worth TX is a relatively small museum with a relatively small collection. Yet it has great quality examples from Old Masters through Modern art painting. I remember that I posted one of each, a Fra Angelico 1429-1430 small painting The Apostle Saint James the Greater Freeing the Magician Hermogenes, and a late Henri Matisse from 1946, titled Asia. Both were featured in my post of December 31, 2008.


Today I'm going with one of two Paul Cezanne paintings I particularly enjoyed at the Kimbell. This Cezanne painting from 1895, Maison Maria With A View of the Chateau Noir, seems much like many of his others, yet the colors were brighter and the brushwork more impressionistic than his prototypical landscapes with their squarish blocks of color. See how you like it. https://www.kimbellart.org/Collections/Collections-Detail.aspx?prov=false&cons=false&cid=8645


You can see some of my 3-D paintings on my website at www.jayrolfe.com/.

Wednesday, February 11, 2009

Kimbell Art Museum



In reviewing some of the paintings I saw on my around the USA trip last summer, I was struck this morning by the similarity of Gerhard Richter's seascape which I posted yesterday, Sea Piece-Wave, on display at the Modern Art Museum of Fort Worth, with Jacob Van Ruisdael's Rough Sea At A Jetty painted in the 1650's which I saw at the Kimbell Art Museum across the street and also in Fort Worth. Van Ruisdael is known chiefly for his landscapes. This painting shows his skill with a seascape. Here is the link to the Kimbell's website, https://www.kimbellart.org/Collections/SearchCollections.aspx?P=1&Focus=0#, and the image they display, and below is the photo I took. In real life, the painting doesn't look as yellow as my photo, and doesn't look as dark as their image, it's somewhere in between. I'm sure you get the idea.



Last summer was my first trip to Fort Worth TX. I had long wanted to see the collection at the Kimbell Art Museum, and it was all I had hoped for and more. The Kimbell was also showing a visiting exhibit called "The Impressionists: Master Paintings from the Art Institute of Chicago." Even though I had seen all of them at the Art Institute of Chicago several times, I was glad to see them again.


You can view images of some of my paintings at www.jayrolfe.com/.

Tuesday, February 10, 2009

Gerhard Richter "Sea Piece-Wave" at MAM Fort Worth

A dramatic painting I liked at the Modern Art Museum of Fort Worth which I visited this past summer, is the large, about 6 1/2 feet square, Gerhard Richter painting Sea Piece-Wave painted in 1969. You can see a small image of it on the museum's website. http://www.themodern.org/f_html/richter2.html#top


You can view some of my paintings at www.jayrolfe.com/.

Monday, February 9, 2009

Warhol's "Self-Portrait" with the look of death


The permanent collection at the Modern Art Museum of Fort Worth was, in my opinion, wide-ranging and of strong quality in painting. One of the well-known contemporary artists of whom it owned several canvases is Andy Warhol. I was struck by this Self-Portrait created in 1986, a year before his untimely death. The reason I was struck by it is it has the look of death, a ghostly look.
The painting is rather large, 9 feet square. Here's the link to the museum's website. http://www.themodern.org/f_html/warhol3.html#top

You can view some of my paintings on my website at www.jayrolfe.com/.

Sunday, February 8, 2009

Richard Serra at the Modern Art Museum of Fort Worth



When I took an around the country driving trip with my wife Randy Rolfe last summer, we planned to visit about a dozen art museums. We ended up visiting even more art museums on our 25 day, 9000 mile trip through 22 states, plus 6 other museums, a zoo, 11 national parks, several national monuments, and many other sights.

The first art museum we visited was not one I planned to visit because I'd never even heard of it. We were heading for the Kimbell Art Museum in Fort Worth TX on the afternoon of July 18, 2008 and had just parked the car in the Kimbell parking lot when I saw an enormous sculpture across the street. We went to investigate and found Richard Serra's 67 feet 10 inch high cor-ten steel sculpture titled Vortex and made in 2002. The base is a little over 20 feet wide, and one can walk inside. It was sitting in front of the Modern Art Museum of Fort Worth which I didn't know about. Here are 3 photos I took of it, two of them from inside. And here's a link to the Vortex page on museum's website. http://www.themodern.org/f_html/serra2.html#top

Then we went inside the museum and found a great collection of contemporary art nicely displayed in a stunning building. The Modern Art Museum of Fort Worth certainly deserves more press then it gets.
You can view images of some of my 3-D paintings on my website at www.jayrolfe.com/.

Thursday, February 5, 2009

Painter Louis Comfort Tiffany


I first encountered the paintings of Louis Comfort Tiffany, who is renown for his stain glass work, at the Charles Hosmer Morse Museum of American Art in Winter Park FL. The museum's website is http://www.morsemuseum.org/, They have a whole gallery devoted to Tiffany's paintings and about 15-20 are on display. Most of them were done before he became famous for his stain glass work. By the way, Tiffany's father founded Tiffany Jewelers.


When I visited the Smithsonian American Art Museum in Washington DC 10 days ago I saw a very nice painting by Louis Comfort Tiffany painted in 1873 and titled Market Day Outside the Walls of Tangiers, Morocco. I'll show you my photo of it since the colors are much truer than the image on SAAM's website at http://americanart.si.edu/collections/search/artwork/?id=24107.


You can view some of my 3-D paintings at www.jayrolfe.com/.

Wednesday, February 4, 2009

Raphael's "The Alba Madonna" at the National Gallery


My favorite types of painting are Impressionist, Post-impressionist, Modern, and Contemporary. That's what I usually focus on when I visit museums.


However, this time I visited the National Gallery of Art in Washington DC a week ago Sunday, I started with looking at the older art. One of the many knockout pieces was Raphael's 1510 painting called The Alba Madonna. Not only is it beautiful and colorful, it is round! Here's the image from the website of the National Gallery which shows it without its frame, and also the photo I took which shows it in a very beautiful gold round frame. By the way, the colors did look bright as in my photo.


You can view some of my 3-D paintings on my website at www.jayrolfe.com/.

Tuesday, February 3, 2009

Childe Hassam at the National Gallery


I visited the National Gallery of Art in Washington DC on Sunday a week ago. During that visit, I came to appreciate Childe Hassam, and American Impressionist, as an Impressionist artist. I had not been particularly impressed with his paintings that I had seen before. At the National Gallery I saw a number of his paintings I liked.


Today's image is Childe Hassam's The South Ledges, Appledore, painted in 1913 and on view at the National Gallery of Art.
You can view some of my 3-D paintings at www.jayrolfe.com/.

Monday, February 2, 2009

Cezanne Still Life


There are a number of fine Cezanne still life paintings at the Barnes Foundation where I visited last Friday. Here's one called Compotier, Pitcher and Fruit painted in 1872-1874. I particularly like this one for its profusion of fruit. Of course, the color and composition are typically Cezanne.


You can view some of my 3-D paintings on my website at www.jayrolfe.com/.